TC Electronic FireworX w/ Free Gear

• 24 bit A/D – D/A converters
• AES/EBU, S/PDIF, Optical Tos-Link & ADAT digital I/O’s
• Presets: 400 Factory/200 User

• Vocoder
• Synth Generator
• Formant Filter
• Delay
• EQ
• Reverb
• Ring modulator
• Chaos generator
• Dynamic
• Chorus
• Filters
• Pan
• Pitch Shift
• Distortion

Specifications

Digital Inputs and Outputs

• Connectors: XLR (AES/EBU) RCA Phono (SPDIF) Optical (Toslink, ADAT)
• Formats: AES/EBU (24 bit) SPDIF (20 bit) EIAJ CP-340 IEC 958 EIAJ Optical (Toslink) ADAT Lite pipe
• Output Dither: HPF TPDF dither 8-24 bit
• Word Clock Input: RCA Phono, 75 ohm, 0.6 to 10 Vpp
• Sample Rates: 44.1 kHz, 48 kHz
• Processing Delay: 0.2 ms @ 48 kHz
• Frequency Response DIO: 20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz

Analog Inputs

• Connectors: XLR balanced (pin 2 hot)
• Impedance: 20 kOhm
• Max. Input Level: +22 dBu (balanced)
• Min. Input Level: -10 dBu
• Sensitivity: @ 12 dB headroom: -22 dBu to +10 dBu
• A to D Conversion: 24 bit (1 bit, 128 times oversampling)
• A to D Delay: 0.8 ms @ 48 kHz
• Dynamic Range: 103 dB (unweighted), >106 dB (A)
• THD: -95dB (0,0018%) @ 1kHz -6dBFS (FS @ +16dBu)
• Frequency Response: 10 Hz to 20 kHz: +0/-0.2 dB
• Crosstalk: -80 dB, 10 Hz to 20 kHz, typical -100 dB @ 1 kHz 

Analog Outputs

• Connectors:XLR balanced (pin 2 hot)
• Impedance: 00 Ohm (active transformer)
• Max. Output Level: +22 dBu (balanced)
• Full Scale Output Range: -10 dBu to +22 dBu
• D to A Conversion: 24 bit (1 bit, 128 times oversampling)
• D to A Delay: 0.5 ms @ 48 kHz
• Dynamic Range: 100 dB (unweighted), >104 dB (A)
• THD: -86 dB (0.005%) @ 1 kHz, -6 dBFS (FS @ +16dBu)
• Frequency Response: 10 Hz to 20 kHz: +0/-0.5 dB
• Crosstalk: -60 dB, 10 Hz to 20 kHz typical -90 dB @ 1 kHz

EMC

• Complies with EN 55103-1, EN 55103-2 and Class B limits of FCC rules, part 15

Safety

• Certified to IEC 65, EN 60065, UL 1419 and CSA E65

Environment

• Operating Temperature: 32 °F to 122 °F (0 °C to 50 °C)
• Storage Temperature: -22 °F to 167 °F (-30 °C to 70 °C)
• Humidity: Max. 90 % non-condensing

PCMCIA Interface

• Connector: PC Card, 68 pin type 1 cards
• Standards: PCMCIA 2.0, JEIDA 4.0
• Card Format: Supports up to 2 MB SRAM

Control Interface

• MIDI: In/Out/Through: 5 Pin DIN
• GPI, Pedal, Fader: /4" phone jack
• General Finish: Anodized aluminum front Plated and painted steel chassis

LCD

• Dimensions: 56 x 128 dot graphic LCD-display 19" x 1.75" x 8.2" (483 x 44 x 208 mm)
• Weight: 5.2 lb. (2.35 kg)
• Mains Voltage: 100 to 240 VAC, 50 to 60 Hz (auto-select)
• Power Consumption: 20 W
• Backup Battery Life: 10 years

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CASCADE FAT HEAD- RIBBON

 

 

The Cascade FAT HEAD offers the natural and open sound associated with the finest ribbon microphones. You will find that when recording acoustic guitars, guitar cabinets, vocals, drum over-heads, and countless other types of instruments, the ribbon microphone will produce the warmth that is vital to today's digital recording environment. We firmly believe you will also agree that this microphone will make a great addition to your collection.

We inspect and check the audio quality of each and every Cascade microphone before it leaves our shop, once you try one...you'll be a believer. 

Specifications:

• Type: Ribbon (velocity) Microphone
• Ribbon type & Dimensions: 99% Pure aluminum, 2.5 micron, 1 3/4" (L) X 3/16" (W)
• Polar pattern: Figure 8 Symmetrical design
• Sensitivity: -56 db +/- 2 dB (0 dB=1V/Pa)
• Frequency response: 30 to -18,000 Hz (+/- 3dB)
• Output Impedance: <=200 Ohms
• Recommended load impedance: >1000 Ohms
• Max.SPL (1% THD @1000 Hz): 165 dB
• Connector: 3-Pin male XLR
• Size: Diameter: 3” (O.D. grill), overall length 6 1/2”, 7/8" (O.D. body)

Includes:

• FAT HEAD Ribbon Microphone
• Premium suspension shockmount
• Wood box with heavy-duty latch and hinges
• Aluminum case
• Micro-fiber cleaning cloth

Frequency Response and Polar Pattern

Frequency Response and Polar Pattern w/ Stock Transformer

  PDF with Frequency Response

Quote from Eben Grace:
"The Cascade M20 is an amazingly well built and great sounding microphone. It gets used all the time in my studio and makes a great match with the Grace Model 101." - Eben Grace of Grace Design.