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    You are hereHome > Recorders - Players > Compact Flash > PMD671 w/ Free Gear

     ·  

    Marantz PMD671 w/ Free Gear

    Marantz PMD671 w/ Free Gear - High Resolution Compact Flash Recorder
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    Marantz PMD671
     
    Marantz has raised the bar, exponentially. The Marantz PMD671 can record 24-bit, 96 kHz audio for the highest sound quality available in the field or even in the studio. The ability to read-after-write offers completely new levels of functionality never before available in a field recorder. Even the mic preamps have been dramatically improved. Then add programmable presets, and changing formats on the fly is as easy as pressing a button. Serious professionals need serious tools. If your application requires uncompromising audio, unflinching reliability, and unprecedented functionality, you owe it to yourself to take a very serious look at the PMD671.

    Features
    • 24-bit, 96 kHz PCM capable for unrivaled fidelity
    • "Virtual Third Head" for confidence monitoring
    • Read-after-write capability for random access playback while recording
    • No moving parts-no maintenance
    • Built-in USB 2.0 port for ultra-fast, easy file transfer to PC
    • Records uncompressed 16 and 24 bit PCM .wav files at 44.1, 48, 88.2 or 96 kHz
    • Records mono .mp3 files at 64 kbps
    • Records stereo .mp3 files at 128 kbps
    • Uses inexpensive, widely available Compact Flash media (CF)
    • A 1 GB CF card can hold almost 30 minutes of uncompressed stereo (24 bit, 96 kHz)
    • A 1 GB CF card can hold almost 90 minutes of uncompressed stereo (16 bit, 44.1kHz)
    • A 1 GB CF card can hold over 17 hours (stereo) or 36 hours (mono) .mp3
    • 4 to 6 hour battery life with standard AA alkaline batteries
    • Two built-in condenser mics for easy, true stereo recordings
    • Two XLR mic connections with +48v phantom power
    • Dramatically upgraded microphone preamps
    • RCA line I/O
    • Built-in monitor speaker
    • Optional RC600 wired remote control with peak indicator
    • Future timecode upgrade planned
    • Unparalleled 24/96 Audio-Recording PCM audio at 24-bit resolution and 96 kHz sampling frequency is the absolute state of the art for digital audio applications.  It offers 256 times the amplitude resolution, and more than twice the frequency resolution of compact discs. New microphone preamps have even been designed to take advantage of this quantum leap in fidelity.
    • RAW (VTH-Virtual Third Head)-Professional analog recorders had a dedicated "third head" to monitor recorded signals after they were printed to tape. It was called, "confidence monitoring", because it allowed engineers to be 100% confident about what they had recorded as it was happening. The PMD671 is unique in offering the 21st century version of this same functionality, by playing back the recorded data simultaneously, rather than simply monitoring the input source.
    • Time Shift (Time-Shift Playback)-The same technology that allows the virtual third head also allows time-shift playback capability. This means that as you continue to record an event, you can back up and listen to various parts, and then return to listening to the event in real-time.  Court reporting and technical investigation may never be the same.
    • Professional I/O-Let's face it: plugging professional-grade microphones into an 1/8" jack is asking for trouble. The PMD671 offers two balanced XLR mic inputs with +48v phantom power, and all new audiophile quality microphone preamps. Caught in a pinch? The PMD671 includes a condenser mic built right in. Of course, RCA stereo line I/O's and digital I/O's are also provided.
    • Long Battery Life-Tired of lugging around six extra D-Cells just so you can interrupt your recording to change batteries half-way through an event?  The PMD671 will run for four to six hours on regular alkaline AA batteries. Also available as optional accessories, the rechargeable NiCd battery (RB1100) will power the PMD671 for 4-5 hours while the NiMH battery (RB1651) will power the unit for 6-7 hours.  And both batteries can be charged in the unit eliminating the need for carrying bulky battery chargers into the field.
    • Long Record Times-No more flipping tapes! A single 1 GB flash card can hold up to 70 hours of uninterrupted audio (monaural .mp3 at 32 kbps). For music recording, the same size card can hold more than 17 hours highquality compressed stereo (.mp3 at 128 kbps).
    • Solid State Technology-By storing audio data on Compact Flash (CF) media cards, all of the mechanical hassles of tape recorders are gone forever-as are the costs of servicing and maintaining them. Solid State Technology makes the PMD671 less vulnerable to bumps, vibrations, and sonic deterioration over the long haul. Not only that, but CF storage allows you to choose from several recording formats, and makes file transfers to computers a snap.
    • USB 2.0 and file transfer-In the end, you'll probably want to transfer your audio to a PC for editing, and then burn it to CD for broadcast, evidence, documentation, or just for convenient playback. The PMD671's USB 2.0 port allows you to directly connect to a computer for blazing fast transfers. Alternatively, you can remove the CF card and use any standard CF card reader.
    • Optional Wired Remote-It would be great if every recording situation had a field engineer running everything behind the scenes. Unfortunately, all too often it's just you, wishing you had more hands. The RC600 wired remote control enables you to start and pause recording, and to mark new track-starts on the fly. It even has a peak meter right on the remote, so you can keep an eye on your recording, without taking your eye off the ball.
    Specifications  Please see PDF Manual for Technical Specifications.




     
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    Click here to review samples
    CASCADE FAT HEAD- RIBBON
     
    Click here to read the review

     

    The Cascade FAT HEAD offers the natural and open sound associated with the finest ribbon microphones. You will find that when recording acoustic guitars, guitar cabinets, vocals, drum over-heads, and countless other types of instruments, the ribbon microphone will produce the warmth that is vital to today's digital recording environment. We firmly believe you will also agree that this microphone will make a great addition to your collection.

    We inspect and check the audio quality of each and every Cascade microphone before it leaves our shop, once you try one...you'll be a believer. 

    Specifications:

    • Type: Ribbon (velocity) Microphone
    • Ribbon type & Dimensions: 99% Pure aluminum, 2.5 micron, 1 3/4" (L) X 3/16" (W)
    • Polar pattern: Figure 8 Symmetrical design
    • Sensitivity: -56 db +/- 2 dB (0 dB=1V/Pa)
    • Frequency response: 30 to -18,000 Hz (+/- 3dB)
    • Output Impedance: <=200 Ohms
    • Recommended load impedance: >1000 Ohms
    • Max.SPL (1% THD @1000 Hz): 165 dB
    • Connector: 3-Pin male XLR
    • Size: Diameter: 3” (O.D. grill), overall length 6 1/2”, 7/8" (O.D. body)

    Includes:

    • FAT HEAD Ribbon Microphone
    • Premium suspension shockmount
    • Wood box with heavy-duty latch and hinges
    • Aluminum case
    • Micro-fiber cleaning cloth
    Frequency Response and Polar Pattern

    Cross Spectrum Labs

    Frequency Response and Polar Pattern w/ Stock Transformer




    The Cascade M20u offers a new body style & grill along with improved specifications and performance. The new 1.07" gold vapor-diaphragm makes the M20u a great studio microphone capable of excelling in many applications of recording tasks and environments. The M20u is great for recording vocals, acoustic guitars, drums, guitar cabinets, horns and percussion instruments.
     
    The M20u employs a -10 dB pad and lo-cut filter switch. With it's smooth frequency response, transparency, and dynamic range, it's easy to see why the M20u is a valuable addition to a wide range of users.

    Specifications:

    • Capsule: New 1.07”/28 mm 5µ edge connected, gold vapor-diaphragm
    • Construction: heavy duty machined brass with anodized finish
    • Polar Pattern: cardioid
    • Operating voltage: +48V Phantom Power 
    • Electronics: New low-noise class A discrete Fet+Bi-Polar, transformer-coupled
    • Frequency range: 20 Hz to 20 kHz
    • Sensitivity: -38.5 dB (0 dB=1V/Pa)
    • Equivalent noise level: (A-Weighted per IEC 286-4) <15 dB
    • Maximum SPL for THD: <0.5% (1 kHz) 140 dB w/Pad
    • Switchable low frequency cut-off: -6 dB @ 100 Hz
    • Switchable pad: -10 dB
    • New improved suspension shockmount
    • Connector: 3-Pin male XLR
    • Weight: 525 grams/1.16 lbs.
    • Dimensions: 47x215 mm / 2x8.6”
    Includes:
    • CASCADE M20u 1.07" LDC 
    • Suspension shockmount
    • Vinyl zipper pouch
    • Micro-fiber cleaning cloth

     

    Quote from Eben Grace:
    "The Cascade M20 is an amazingly well built and great sounding microphone. It gets used all the time in my studio and makes a great match with the Grace Model 101." - Eben Grace of Grace Design.

     
    Manual PDF:View PDF Manual
    Manufacturer's site:http://www.d-mpro.com/
    Availability: Usually ships within 24 hrs.
    Price: $ 1,199.99
    Sale price: $ 999.00 (No sales tax outside of WA)

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    or use the "Make an Offer" option below.
     
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